In 1967 I was a lowly television engineer and night-time
club DJ .
I'd just finished running a
club called Pheonix City in Blackpool (yes, I know
Phoenix is misspelt - but that's how it was!). I was
a part-owner of this club.
By some accident I bought the Peter Dee Mobile Decks
unit - which were origionally built for Johnnie Walker
(who is those days was known as Peter Dee). I made
an audition tape and took it to Caroline House in
London. There I met Chris Moore who listened to the
tape and, under pressure at that time to find DJs,
offered me a job on the South ship.
This was on August 14th 1967.
I arrived at Harwich after all the furore of that
memorable moment when Radio Caroline moved into the
realms of illegal broadcasting. There I met Ray Glennister,
who was going out to the ship as an engineer. We reached
the ship at tea-time to be met by Johnnie Walker,
Robbie Dale and Ross Brown.
On the Offshore 1 tender I'd
spotted a Mullard tube carton, which I instantly recognised
having changed hundreds of them during my TV apprenticeship.
Once on board I think Robbie
and Johnnie were a bit disappointed that I wasn't
a big name DJ whom they could recognise; what they
got was this blond-haired git from Blackpool. All
was saved when they enquired about the TV tube - and
had it arrived? I felt a little akin to this piece
of kit, and lovingly carried it to the mess-room table
and suggested that I could change it for them and
get the TV back on. It was agreed I should, and one
hour later the mess-room television was back up and
running.
Well at least I'd proven that I could do something.
So they fed me, and kept me on board. I was shown
to a cabin - and told to report on-air at midnight.
I was only a kid, and was terrified that I'd suffer
from sea-sickness.
At midnight I was duly woken
and led to the on-air studio, where Jonnie and Robbie
had just finished their memorable closedown. The record
playing was 'All You Need Is Love' as they marked
the end of the era at Midnight. Johnnie showed me
how the desk worked and said 'just play back to back
music like this..and throw in the odd jingle until
the morning... then if you're a good boy you can have
some toast.....'
Over a period of time I plucked
up the courage to make the odd announcement. I just
generally experimented, until I was in full flow.
I then moved to the Lunchtime show, and did many doubles
for Johnnie whilst he was on leave.
This was probably my biggest break, as Johnnie's was
the Number 1 radio programme in Britain at the time.
It was always natural that whoever presented the Breakfast
Show
(6 -9am) doubled up on the Afternoon Show (3-6pm)
and whoever presented the Lunchtime (12 - 3pm) also
presented the Evening Show (9-Midnight) and the newest
on-board presented the 'overnighter'.
So that's why I got to do the
Johnnie Walker show.
Later that year we were joined
by Andy Archer, Stevie Merricke, Roger Day and Karl
Mitchell.
The only advertisements I remember
running were for Bulova watches and Milroy Ward Cars
(Norwich). For what it's worth I can still recite,
after nearly 40 years, the scripts.... In my own admission
I was never really any great shakes as a radio entertainer,
but I was fairly handy with a screwdriver; and could
think out of the box on a good day!
I had it in my head that I
should migrate to the North ship, as that was the
only Radio Caroline I'd ever listened to - and that's
exactly what I intended to do next - unfortunately
both the ships were towed ashore before I got the
opportunity. . I didn't rejoin the Mi Amigo until
1970. Basically I came back with Peter Murtagh (Chicago)
to relaunch the service.
I have to say that I am extremely
proud to have been part of the legend that was Radio
Caroline.